![]() While still working with the American quartet, Jarrett also began a series of recordings with some Scandinavian musicians-Jan Garbarek on saxophone, Palle Danielsson on bass, and Jon Christensen on drums-who became known as the “European” quartet. Redman often played the suona, a Chinese double-reed instrument that he called a musette. Their music was strongly improvisational, and showed strong influences of gospel and of Middle Eastern music. They recorded about a dozen albums over the next six years, from El Juicio (The Judgement) in 1971 to Bop-Be in 1976. In 1971, Jarrett reunited with Haden and Motian now joined by Dewey Redman on saxophone, they became known as Jarrett’s “American” quartet. Jarrett was not very interested in electric instruments in jazz, and eventually abandoned them entirely, but he remained with Davis for a few years out of his respect for Davis’s talent. He appears on a few Davis albums in the early 1970s, Miles Davis at Fillmore and Live-Evil among them, usually playing electric keyboards. The Charles Lloyd Quartet folded in 1968, and Jarrett was invited to join Miles Davis’s band. Jarrett recorded one album as part of the Messengers, 1966’s Buttercorn Lady. He was hired fairly quickly by Art Blakey to play with the Jazz Messengers, a loose collective of musicians that had been around for about fifteen years. ![]() Boulanger was one of the most influential teachers in music history her pupils included Philip Glass, Quincy Jones, Aaron Copland, Lalo Schifrin, and Astor Piazzola.Īfter high school, Jarrett spent a year at the Berklee College of Music in Boston, then moved to New York. Jarrett discovered jazz in high school, and was drawn to it so strongly that he turned down an offer to study classical composition in Paris with Nadia Boulanger. He began taking piano lessons at 2, appeared on a television talent show at 5, and gave his first piano recital at 7 the program included music by Mozart and Beethoven, as well as two of his own compositions. ![]() It is not unusual to discover that the subjects of these “Music Memories” post were child prodigies, but even by those standards, Jarrett displayed his talents early. Jarrett is best known as a jazz pianist, but he’s also recorded a significant amount of classical music.
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